Ein sehr interessantes Plug-in, absolute Empfehlung für die Drums!
This does exactly what it says on the tin ,,,, no artefacts unless you go crazy with it.
So many uses for this, considering there are only three controls..... wow.
Il plugin funziona egregiamente. È molto efficace sulla voce femminile e sui fiati. Trasparente è cristallino, marmoreo nell effetto presenza della voce.
I recently had to mix a recording of a band where the snare wasn't captured well and came across like a small toy drum , the spl Transient Designer worked great and enabled me to add more sustain to each hit with easy to use controls.
awesome tool .
I also used it on a very blown out bass guitar and was able to regain alot of the individual note definition by reducing the sustain on the transient designer.
easy to use great purchase.
I am very satisfied with this version of the Transient Designer.
great user off envelop design as i use it one every tracks i make especially on drums.
So i use envelop on logic audio,transients designer plug witch are great plugs,and now i have this spl transcients.
I can say spl sound on most of the case the better but as a little lack of versatillity in comparison of the other ,so i use one of the others on some case.
Even if this lack of verstillity is here i d say this plug sound the better in most of cases due to a more natural sounding when u increase the sustain of the sound.
For the other aplication i would say it s pretty the same pehaps the same more natural sounding can be eard with other plug , but they can sometime be better due to the time can be fixed.
I love this plugin. I just have a small personal project studio, so this hasn't "saved" a session for me, but boy has it fixed some boring drum sounds. It's not the sexiest plugin, but man it is magic!
TD is huge when it comes to elongating a response without having to overkill delays or verb. Applied discretely, helps to tame the overall attack of acoustic instruments without disturbing intimacy or sparkle. A mixing must.
I have found this plug in to be very usefull in guitar tracks. When set up properly it helps the track sit better in the mix and sound great. It also does a great job to bring virtual tracks to life. I have also found it to be a first class bass plug in.
I use this primarily for drum attack and acoustic guitar definition. It's also good for controling bleed and room ambience.
Works great in certain situations. It's pretty outstanding on kick drum. You can totally cut or add boominess to the kick quite easily. It is good on other drums as well, but it's not necessarily going to rescue poorly recorded or badly eq'd drum tracks. It's more like, if you have something good it can help you get it exactly right in the mix by adjusting the snap and body of the source. It's very easy to imagine this one being quite a lifesaver in certain situations.