Displaying 1 to 20 (of 80 reviews)

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  • 1 of 1 found this helpful.
    Best value per parameter

    by A. Debicki . 5 out of 5 stars

    This plugin must have the most uses per parameter of any plugin I own. It can fix bad sounds, enhance good sounds, reduce ambience, give instruments more body, make instruments fit better in the mix (in many ways) and so much more. The Transient Designer has on multiple occasions fixed a problem with either a bad recording or a good recording of a bad instrument where other ways of processing just couldn't fix it.
    The only slight downside to the Transient Designer is that it doesn't always handle attacks the way I expect it to, but that might be due to unrealistic expectations.


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  • 1 of 1 found this helpful.

    by P. Shikata . 5 out of 5 stars

    so far ..... so good. sooooo good. i haven't even tried it on instruments YET ....... as i am a musician, and a sound designer / editor .......... i just used it on my last edit, for an episode of the tv series 'copper' ....... in which there was a bare knuckle boxing match, and horse and carriage shoot out.

    i can't tell you how easy it was to use this plug to QUICKLY design sounds ...... and yes, i asked our lead mixer about the SPL .... which he also uses to suck out ambience on dialog ......

    i just immediately started using it and loving it ..... very simple, very effective .....

    looking forward to using this and the IBP on drums !!!!!

    paul shikata
    http://www.imdb.com/name/nm0793424/


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  • 1 of 1 found this helpful.

    by B. Matheny . 5 out of 5 stars

    If you want the thwack/attack of your percussion to cut through a mix, use this plugin. I put it on a djembe that I was having a hard time getting to cut through in a mix and WOW!!!!! What a difference. I had been trying to eq the djembe to get the right sound, no avail. I put the Tansient Designer on it and the djembe came to life in the mix. Superb!


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  • 1 of 1 found this helpful.

    by I. BUMBA . 5 out of 5 stars

    Brilliant plug-in for drums. I use it sometimes for vocals to achieve the effect simillar to reverb. The effect that I get sounds like a mix of reverb and sustain, which gives a rich tone.


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  • 1 of 1 found this helpful.

    by S. Hurtow . 5 out of 5 stars

    What I love about the SPL Transient Designer is that it offers a unique alternative where compression may not necessarily be the most suitable tool for the job. The way the sustain control works is quite remarkable. I love the fact that not only I can increase the sustain, but also shorten it if needed.


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  • 1 of 1 found this helpful.

    by C. Hilding . 5 out of 5 stars

    First off, a transient modulator is something you REALLY should have when you're mixing music, particularly to clean up the atmosphere of each drum sound, as transient modulators will allow you to add/remove snappiness from tracks to make all elements fit better in the mix - such as making a snare more snappy, while softening the attack of the hihats to make them sit further back in the mix. However, the available solutions on the market are not equally good; in fact they're VERY far from equals. A thorough evaluation of Schaak Transient Shaper, Logic Enveloper, Cubase Envelope Shaper, Voxengo TransGainer, Sonnox TransMod (which ONLY lets you modify the ATTACK of a sound, but is very nice for that) and the SPL Transient Designer - a list which reads as the "who's who" of transient modulators on the market - revealed that the latter [UAD SPL Transient Designer] was the ONLY one that produced a CONSISTENTLY CLEAN SOUND, free from artifacts or unpleasing distortion, whereas ALL the other ones that supported sustain produced crackling and muddyness. The SPL Transient Designer is consistently smooth as butter, and only uses two easy knobs: Attack and Sustain. Boost or cut either, and it does the job in an extremely clean and musical way, by having extremely accurate envelope followers "ride" the gain knob for you, therefore affecting the attack and release in a very smooth way. There's NO other tool that even comes near the sound quality of the UAD SPL TD, period.


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  • 1 of 1 found this helpful.

    by J. Fisher . 5 out of 5 stars

    Wow. On an audio-post project, this clever device helped reduce the reverb/room sound from the boom mic being too far away from the actors. It's a dialog mixer's dream. Very handy!

    -- jpf


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  • 0 of 1 found this helpful.

    by Y. Hirashima . 5 out of 5 stars

    Very easy to use!!

    I always use this effect on piano sounds.

    To make richer susutain and reduct a noisy attack.

    If I use cheaper synth.Trangent deshigner gives me a perfect sound!

    With bass drum,Tranjent designer makes natural attacky sound without EQ.

    I love this product!


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  • 0 of 0 found this helpful.
    Very Nice

    by H. Lemke . 4 out of 5 stars

    Ein sehr interessantes Plug-in, absolute Empfehlung für die Drums!


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  • 0 of 0 found this helpful.
    A drummers friend.

    by O. Johannessen . 5 out of 5 stars

    This is my first UAD plug-In, and definately not the last. It is so simple to use, and very efficient on the right sources. My drums are recorded in an extremely small room, and this thing really helps me to pull out the best of them. By changing attack and sustain I can manipulate the most important tracks to get the right sound. And some of the presets are very useful, like the fierce click on the kick drum, and gentle snap on cybals. Worked also well on a bass-track , to shorten the notes.


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  • 0 of 0 found this helpful.
    Simple and efficient

    by D. Ferreira . 5 out of 5 stars

    This is the lethal weapon if you have some transient issues or want to reshape your track. Absolutely indispensable.


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  • 0 of 0 found this helpful.
    KICK DRUM!!!!

    by J. Cheek . 5 out of 5 stars

    I seriously do not know what I've ever do now on kick drum without the Transient Designer, and don't know how I ever got along without it. I guess ignorance is bliss...! But soon as you try this on kick (as well as other drums etc) there is no way you'll ever turn back!


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  • 0 of 0 found this helpful.
    unique and effective mixing tool

    by C. Bower . 5 out of 5 stars

    This plugin helps to effectively situate your instruments in the mix without using compression or eq! Great for defining articulations.


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  • 0 of 0 found this helpful.
    Sweet!

    by J. Cummins . 5 out of 5 stars

    Ok, this is a great tool, make it bigger or trim it tight. Snare needs more it will do it, snare to big, need it tight and short, done. Bass to much, trim it in tight even vocals. You now how great this tool is when you mix. So till you get one you just don't know, get one and you will know. You know magic when you got it!


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  • 0 of 0 found this helpful.
    Such a unique plug-in

    by I. Hollyman . 5 out of 5 stars

    I'm a producer and engineer of harder dance music and more recently EDM. I'm new to UAD, with this being my first purchase and what an amazing purchase it turned out to be. I got the plug-in on recommendation and after reading the reviews and now I can see why it is praised so highly. Since having it, it has appeared on many of my drum tracks. For kicks, snares and the like this can really perfect a sound that's almost there but not quite. It's unbelievable listening to the results that this plug-in has such few controls. Highly recommended.


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  • 0 of 0 found this helpful.
    It just works.

    by C. Chastain . 5 out of 5 stars

    If you're familiar with the hardware version of the TD, you'll feel comfortable right away with this plug. It responds just like the hardware, which is awesome.


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  • 0 of 0 found this helpful.
    Perfect

    by M. Lister . 4 out of 5 stars

    This does exactly what it says on the tin ,,,, no artefacts unless you go crazy with it.
    So many uses for this, considering there are only three controls..... wow.


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  • 0 of 0 found this helpful.
    Transient control or Compressor?

    by P. Oulster . 5 out of 5 stars

    Compression can be a nightmare. I've tried so many with my Bass Guitar and only came up with one that worked in live situations and the studio to fit my style. This Spl Transiet Designer would have been a God send back in the day. It makes things sit, push, or pull in the mix without hearing any pumping or sacturation. Transients easy to control, using only sustain/attack controls.
    It can turn a dead Drum kit into a huge room mic kit by adding sustain or deadening the ambience by decreasing it. Vocals, Guitar, Bass, Drums, it's littered all over my current mix. Transparent, easy to use, a great tool!


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  • 0 of 0 found this helpful.
    Must have for drums!!

    by J. Vece . 5 out of 5 stars

    After trying the demo I had to get the transient designer. If im tracking drums its getting used every time. In combination with good miking this kills the gate/ expander headache. Great product.


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  • 0 of 0 found this helpful.
    Very special tool

    by L. Nadjiri . 5 out of 5 stars

    This little helper is great. But although it only has three knobs it is incredibly versatile. Guitars or vocals you can give it more presence or use it as a quite strang effect.


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Displaying 1 to 20 (of 80 reviews)

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