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  • 3 of 3 found this helpful.
    Why The Hate?

    by C. Allrich . 4 out of 5 stars

    I'm not sure why there's so much hate for this plugin in the reviews, equating it to Izotope? good god, ugh.

    Look. There are certain tools for certain jobs, and writing off this compressor because it failed at whatever you attempted it on only shows lack of understanding of your appointed skills as an engineer/mixer.

    Do I use this on instrument busses? vocals or guitars? Nope.

    Slap this on your two-bus, and forget the presets. Set the thresholds on both compressors as needed to just "tuck" the transients back, flip the side-chain on, and flip between Nickel, Iron, and Steel to find the right "glue" for your mix. Now tell me your mix doesn't feel that bit of extra life brought to it.

    This is not a plug in for heavy hands, period.


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  • 1 of 1 found this helpful.
    what can i say....STRONG

    by J. Hinson . 5 out of 5 stars

    I have used a lot of mastering units. I currently use Avalon 747 for my 2buss. With the Tube warmth, the incredible EQ and the very smooth compression this is my main go go.

    I have been druling over the SHMC for a year now,went to Vintage King Nashville to see one. When I had to chance to do the Plugin thing I went for it. I am very happy with all the differen sounds this thing has. it is very think in sound, you know what it is when y ou hear it. I does not "pump"...and will really glue and smelt your tracks as one. Use the low pass to keep the lows virtually untouched. Cons...I would have loved to see more presets from the pros on different subjects i.e. Kick drum, Male vocal light, med, and heavy, skybluenashville.com


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  • 5 of 5 found this helpful.
    Awesome compressor for almost everything

    by K. Reiter . 5 out of 5 stars

    I tried it for 14 days on a lot of things like for mastering, on busses (drums, mix) and on solo tracks: lead vocals, bass, background vocal groups, acoustic guitars, snare.... etc.

    All I can say is WOW!!!!! It shines so many different sources and is very versatile. It definitely has some mojo in it - you can it very smooth or hard and aggressive and its very easy to set up - a few seconds and I have the sound that I want !!

    Highly recommended!!!!!!!!!!!!!!


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  • 2 of 2 found this helpful.
    Run for the hills!

    by A. Fluit . 5 out of 5 stars

    Don't try this plugin cause you'll buy it. I would put it on my bread if I could. A real beautyfier for just about anything.


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  • 3 of 3 found this helpful.
    Shadow Hills comp

    by J. Skiles . 5 out of 5 stars

    I have access to a major studio and they have one of these Shadow Hills comp. One of the studios engineers and I used the real comp on a song that I'm currently tracking there. We used it mostly on synths and violin's. Since this comp is musical it added some sweet sonic character to my tracks! I own the UAD quad card so i demoed this UAD comp at my personal studio and was amazed at how much alike they really are! So i had to buy it! Spot on UAD!


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  • 6 of 6 found this helpful.
    One Serious Sounding Compressor

    by R. Heaney . 5 out of 5 stars

    This is one seriously happening compressor.Instantly there's some musical voodo.
    Love this plug on Vocals and drms, Nice fatty punch to the KIK.
    And this is just from experimenting quickly,I'd imagine with a little investment you could go a lot deeper as usual with good plugs.The Low mid beef is really worth the nickel.
    Seriously Good investment ,Don't hesitate just shell out and enjoy and the de-suck filter on this works wanders! Thanx Rob Heaney -engineer/producer Cirque du Soleil


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  • 11 of 11 found this helpful.
    Must Have.

    by S. Frankfurt . 5 out of 5 stars

    Thinking of purchasing this? Stop wasting time and do it. Truly the most beneficial plug-in I've bought in a while. Don't believe it? Run the demo. I guarantee you will miss it when the demo lapses.

    I am a studio owner and producer at www.scottfrankfurtstudio.com as well as the director of design at Spectrasonics. I work with precision and "character" audio all day long... this is truly a must have tool.


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  • 4 of 4 found this helpful.
    2 compressor in 1

    by S. Navel . 4 out of 5 stars

    I like the sound of this plug

    As I dont expect the sound of a 8000$ box to be the same as a 300$ plug

    This stuff is really good and useful
    The 2 compressor are different and you can achieve really different thing from drastic
    to gentle and subtle compression

    It s not as hard sounding as a 33609 which suite me

    The output transformer is subtle but good and the side chain link is brilliant
    Overall you can do a lot of think with that one

    the fact that it use 5 times less process power that a LA2A and a 336009 combine is good for big mixing session

    Also it s just looks great

    With the new 1176 and this one you can cover a lot of things


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  • 5 of 5 found this helpful.
    Wonderful sounding and accurate to the hardware!

    by R. Fantini . 5 out of 5 stars

    I've owned a hardware Shadow Hills Mastering Compressor for two years now and it has become an essential and amazing sounding tool for us ... I''ve AB'ed the plugin against it extensively now and it really holds up. The Optical section seems to be calibrated differently (a few clicks less on the threshold is needed to match the compression amount of the hardware unit), but once you compensate for that, it sounds dead on. $300 for multiple instances and no noise (and instant recall, and freezing) is a steal!


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  • 6 of 7 found this helpful.
    Exceptional

    by J. Milliet . 5 out of 5 stars

    I've never worked with the hardware unit, so I can't say how close it is, but actually it doesn't matter 'cause this plugin is sounding gracefully.

    Stereo link option for the controls would be appreciated :)


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  • 6 of 7 found this helpful.
    Very nice!

    by G. Di Ienno . 5 out of 5 stars

    Demo version started 3h ago, first test on the master bus of a contemporary jazz (acoustic piano trio) session. Was good at first hearing! Same work: switching off the master bus and bouncing tracks.

    Opening mastering session and starting work on, bounced audio seems to be glued: smooth and fat, highly defined and dynamic, at the same time!

    My ears are saying: "great machine: 5 stars!"

    Tested with:
    MacBook Retina Mid 2012,
    Cubase 6.5
    Ua Apollo,
    Dynaudio BM6A


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  • 6 of 7 found this helpful.
    Come out from the shadow

    by C. Ross . 5 out of 5 stars

    Hi all
    I've used the hardware version on only a few projects (only purchased one a month ago) and used it mainly for mastering. The plug in is so close to the original, switching between both in the studio, in most cases it hard to tell the difference. I'm using it on the 14 day trial and no doubt Universal Audio will have an introductory price soon so someone like myself who travels a lot will have access to it on my apple laptop. I couldn't wait to try it on a track i mastered a couple of weeks ago where i had the hardware Manley Massive Passive into the Shadow Hill Compressor into a Ampex ATR102 out into the brickwall of a system 6000. Well I've done the same with the UAD-2 plugins and OMG... AMAZING. BUY IT!!


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  • 10 of 12 found this helpful.
    Disappointed

    by D. Carter . 2 out of 5 stars

    This is the first bad review I've ever givin UA. Felt like i was listening to a waves plugin or something. This is not what i expected from the best plugin makers in the world. I'm really disappointed. Doesn't hold up under pressure like all the other UA compressor plugs. Start's distorting way to easy and just doesnt sound good overall. Not gonna buy. Love the K Stereo though. Bought it. Can't live without it.


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  • 5 of 6 found this helpful.
    very very nice

    by J. Williams . 5 out of 5 stars

    A great addition to the UAD arsenal. Upon downloading I revisited the mixes I currently working on and the results are fantastic. I can tell you this unit is unique and will add "that" sound to your work with ease. For hip hop and rap it and a thick bulbous bottom end while solidifying the entire frequency range. Its very close to the hardware. Great Job!


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  • 17 of 21 found this helpful.
    A giant step backwards

    by H. Linderman . 1 out of 5 stars

    I was excited to try this plug in. The recent 1176 package is brilliant, and I had hopes the Shadow Hills would be comparable in quality. It is not. Where the new 1176 sound like analog, this thing sounds digital in the worst way; no depth, no life, way too heavy-handed. A shame. Even with a $50 coupon I couldn't buy it, and it left such a bad taste in my mouth I let the coupon expire without buying anything.

    The plug comes off as a marketing scheme for the hardware. It is not worth the bloated price. It somehow succeeds at making three companies look bad.

    Nice GUI though.

    So, UA, please don't repeat this mistake. If you are going to release new plugs, aim for being the best. Otherwise, why bother?


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  • 4 of 5 found this helpful.
    Sweet, Sweet Analogue ... All About Choice

    by S. Hurtow . 5 out of 5 stars

    Of course I hit the '14-Day Trial' button! It was too impossible to refuse. Third day in and already my ears are pricked up, listening to the nuances. I'm constantly running back and forth between my SSL G Bus Compressor and Shadow Hill's 'Retro Masterpiece'. Here is what I'm hearing so far. Running Shadow Hill, the sound is more 'pillowy'; more 'spongy'. The response holds back and builds more gradually so when the signal passes, the ascend is like a retro airship or a steam locomotive. The SSL G Bus is more like a 1970s 747. The take-off is more solid and determined, giving you a more clear sonic picture as opposed to the dreamy soundscape created by Shadow Hill. At the end of the day, both are outstanding. It's all down to what you want.


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  • 4 of 5 found this helpful.
    Impossible to sound bad!

    by C. Martins . 5 out of 5 stars

    From the clearest and high fidelity sound to the dirtiest and agressive vibe...This plugin fills my day with confidence in the goals i want to achieve.Wonderful piece of gear gentlemen.UA, blind trust in your brand.


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  • 10 of 13 found this helpful.
    Crap, another plugin I cannot live without.

    by M. Olsen . 5 out of 5 stars

    While I still rely on the Slate FG-X for my heavy gain lifting, I couldn't part with the Shadow Hills Mastering Compressor for a single job after hearing it. I'm using it prior to any brick wall limiting and I go for tone over gain. The result is absolutely stunning sounds decidedly more analog with a rounder, more pleasant tone and fullness.

    I saw the video showing the comparison between the hardware and software. I agree that the hardware sounded better in the A/B test. But honestly, for me it is irrelevant. There is no question that my masters sound better with this plugin than without. The resulting beauty is epic and not something I am willing to omit.

    I am very fond of Dual Mono mode but...

    Request: LINK L/R CONTROLS PLEASE!


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  • 19 of 25 found this helpful.
    UA should've done this one instead Brainworx

    by J. Ferraro . 2 out of 5 stars

    Short and sweet, this doesn't sound close at all the hardware, nor does it sound particularly remarkable as a plugin in it's own right. It uses less DSP than an instance of the old UAD Precision EQ (under 6%), and sounds like *a lot* of corners were cut - a cursory attempt at making a software model of a sophisticated device. It doesn't sound like a $300 plugin in the least. The score I've given it reflects the rather glaring last of attention to detail and ridiculous price point for a ho-hum plugin like this one. UA would do well to put Bx to task on getting this right in a future update (FOR FREE), as it is easily one of their weakest links right now amid an otherwise pretty impressive line up.


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  • 3 of 4 found this helpful.
    demo expired and...

    by P. Alanko . 2 out of 5 stars

    All I'm going to say is that I didn't purchase the plugin after the demo had expired, for various reasons. I didn't feel it was close enough of a real thing. With certain settings it fooled most of the three of us working with it, but the sound of the "in-between settings" were the ones that made me not buy it. Something's missing.

    I don't know much about modeling analog circuits, but I came up with a theory where the third party using Uaudio tools had chosen the faster and shorter route, and the original was modeled with "less sampling points", so to speak, and thus the sound misses the original here and there.

    What I've described here is damn close to metaphysics, and with next grace period, the testing continues.


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Displaying 1 to 20 (of 162 reviews)

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