All I can say is, money well spent. I’d be spending thousands of pounds for either buying hardware or getting my material mastered from ‘mastering engineers’ who either do nothing or squash the life out of the material! (rant over)
This precision bundle is fantastic. You can really push and craft your mixes without loosing the dynamics or uncontrollably hyping the track which is exactly what I wanted. It has allowed me to experiment with the possibilities as well as ending up with some solid, detailed mixes. Thank you UA
Oh, i love Universal Audio more and more. Thats plugins awesome, just try this once and you love forever. My choice for master section.
Very Transparent, great sound! Will be one of my most used limiter plug as mastering engineer. Keep up the good work UA!
Super control!!! For soft and gentle songs it is ideal, it would be desirable still that that on more rigid. That there would be a choice.
Clarity combined with the power at any point of the scale- is what you expect from it.. And this is what you get without unnecessary words.
Amazing Transparent Limiter .
i use it for mastering does an amazing job!!!, sounds crystal clear .
Analog Bass Digital High
very good stuff, a must have for mastering of course.
but it's too bad that Precision Buss Compressor Plug-In and Maximizer are not included in that bunde
Not another Limiter!!
But seriously, as a mastering engineer, I have found that no one limiter does the right job for all mixes. Some add presence that is not always appropriate; some respond to the frequency range differently from others; some have high CPU load to get the benefit of their 'intelligent' algorithms; some give up after 6 - 9 dB (a definite risk for DAC overload and a possible sign of artifacts). When you need transparent brickwall limiting (and K-14 monitoring), this is the 'go-to' limiter of the pack. And the two attack curve choices provide a good variety for different styles and tracks. Definitely a 'top three' limiter!
3 words: Vital For Mastering. This is an incredibly transparent, 5 band Mastering Compressor with EXTREMELY good GUI and controls and features such as soloing bands while tweaking. Did I mention the EXTREMELY good GUI and EXTREMELY transparent sound? You must have this!
I always use this during the mastering in Logic. It makes the sound a little more transparent. Again very "gentle" settings.
I always use this during the mastering in Logic and come to very good results with
Great for loudness maximizing without adding to many extra artifacts. The degree of control and type of metering really help get everything dial-ed in and sounding great.
So many noble efforts by highly respected developers have been laid to waste by this plug-in! Nothing comes close to the intuitive ease of use -- and most of all the sound -- of the Precision Multiband!
I can get it to tickle or whup-butt as needed, and it goes right where I tell it to, gets the job done, and has a smoke, before I finish thinking about it.
I guess this one just works the way I do, because it's like an extension of my ear/brain system. I feel very much in control of results.
This thing just makes it all better... The first port of call in my mastering chain to settle my freqs. A great multi band processor is so hard to find, but this one would have to be the best on the market. Transparent compressing is perfect for mastering and required to stay on top of the game.
Very easy to use but you must be very carefully with this. In some cases, may make a litlle distortion like sound. So if you work with caution, it does its job very good.
Probably one of the most perfect mastering plugs you can really buy.
I've used a few MBC in my time, the one i use most is Logics Multipressor.
First things first, what do i hate about it? Actually not much! Not being able to change the crossovers via a drag is miopic (suddenly gets embarassed, can you change it like that?) Having to type in numbers is too clinical, sometimes you just wanna drag it and see if it sounds good!
Overall that is very much my view on this plug; clinical, more clinical than a room full of proctologists.
However, thats not a minus point, it's just simply it's personality.
Most of the time i 2bus through the 33609 because i'm still in awe of how it manages to reduce dynamics so beautifully, but at times i do like to have a little more spectral control, which is of course where the MBC truly comes to life.
So if it's a multiband compo you want get this one! It's pretty much as good as i have heard, just think of it more like a tool that processes sound rather than a piece of musical equipment.
PM Is one of my most wanted plugins ever, I couldn't even dream someday to get my hands on something that sounds like this little dream machine =)
When combined to Precision EQ and Limter this is all i need in the future mastering projects.
This is awesome plugin when used in mastering or as an track FX and i use it on all my mastering projects.
Thank you UA and UAD software team for making this dream possible !
Good EQ. Tried the demo version.
Strangely enough, in most cases I went for the Pultec and/or the Cambridge during the mastering process.
So I decided to do without it for the time being. But I will remain open to change my view.
I think this question is really dependent on the material of your daily work in your sound studio.
Having said this, I am really happy to say: With the UAD-1 card I got the most natural EQ I have ever heard: THE PULTEC. It helped me find perfect solutions for vocals, gitars and symphonic instruments.
Together with the 1176, the Fairchild and the Teletronix, all of which you can normally use far more than ONCE (I am just making myself clear what luxury I have been given), you get a huge contribution to a better sound for so ridiculously few money.
it's a fine limiter, but for the money the slate and oxford are superior
i´ve heard better ones...this prize is actually too high for what you get.
I´m a bit disappointed