FATSO is one of the plugins which I bought UAD2 card.
I'm totally in love with this plug.
I was pleased what this does on a master buss ,,,, But I really like it on the Bass Buss. And Snare Buss .... I would love to see UA do the Distressor too ,,,
no word can really describe this superb plug-in. it's always in my drums group. amazing with snares, hithats and all the drums.
sometimes i even use it my the master buss to give me some warm feeling.
another UAD plug-in that blew me away.
Awesome Plugin!!, I demoed the first day that i got the apollo, i wanted this way before i actually was an UA User, and it's just what i wanted, an overall "Magic Dynamic" processor, i've never heard the original hardware so i won't say anything in that "emulation" area, i just can say that the software is incredible!, Compression, Saturation, Lo and Hi Soft clip/compression/saturation/...i'm pretty sure that anything you trow a it it will sound awesome!...
Love it on the drum buss, not abusing, just a couple of leds lighting the plugin and you are in the ball park!
FATSO™ Jr./Sr. Tape Sim. & I compared Compressor Plug-In to the real iron FATSO™ Jr EL7 option and was struck in identity of result. I express respect to the Universal Audio command for their laborious work.
While trying this one out in the 14 day demo, I saw its merit enough to buy it, but had higher hopes for it overall... Give it time... after a few more weeks with it, I got more familiar with it, found out where it worked well and my preferences for settings, and now I can't live without it! In addition to adding excellent clarity, fullness, punch, and separation, the stereo image just opens up when you drop this baby in. Love it.
There are not much to say .... Fatso makes any digital sound Analouge brings warmth to any sound and has a super compression. It can only recommend it.
FATSO SR AWSOME FOR DRUMS AND FATSO JR VERY GOOD ON ACOUSTICS!
Single best UA plugin ever IMO. no other software processor comes close. I have gotten to know the sound of rich harmonic content imposed by transistors, transformers and tubes. While subtle it's so distinct that once you hear it you'll always identify it in a heartbeat.
Since I started collecting preamps like my Neve, API, John Hardy boxes I have enjoyed listening for their character in recorded music and I love to hear that goodness these types of designs impart.
This plugin does that! REALLY! it's not just reminiscent of analog saturation...it adds that smooth, buttery character that makes your source sound like it's covered in molten chocolate. Even transients behave the same! You may not hear it at first, but once you do....!
This thing really blows away! I tryed it on different sources(it works great on drums, vocals, even guitars), but using it on master bus. Fatso is probably first high end plufin that could fool me on blind test. I would never guess such warm andn sound can be pulled out of DSP card!
As a producer of dance music I find Fatso greatest new weapon in my arsenal, and missing link from digital production to analog sound.
An absolutely FANTASTIC sounding compressor with THE most pleasing warmth algorithm I have ever heard in a plugin. It adds a very airy, pleasing distortion to the source material, which seems to reside above the original material by adding new harmonics instead of distorting the source frequencies. The result is that you can warm/distort tracks WITHOUT making the bass all muddy. This is one of few solutions to give you clean distortion without making the bass lose definition. An absolutely vital tool, and I use it in combination with my actual EL7 FATSO. It is that good!
Studer A80 and the SONY APR5003 are two analogue recorders I've used for mastering since the mid 1990's. My beloved APR is now in the garage - couldn't quite bring myself to sell it - ever since the FATSO arrived!
As an integral stage of mastering prior to final limiting or as the final stage of my recording chain the FATSO has given me the same sonic results as I was achieving on tape - without all the alignment, cleaning and tape cost. Add to that immediate recall of favoured settings and it's difficult to imagine returning to tape.
The "Senior" parameters remind me of the Distressors from EL and I must admit it was the added control offered by the model of Dave Derr's own modifications that eventually sold me. I was intending to purchase the UBK FATSO modified by Gregory Scott in NY until my research brought me to the digital arm of Universal Audio.
Cost was also an issue and although I still use analogue hardware in my studio the ability to have 4 simultaneous instances of the UAD FATSO Snr as opposed to a single stereo unit was a significant factor.
The LPF elements of the "Warmth" circuit are wonderful, allowing dynamic roll off of overt top end frequencies that can often be "brittle" and "cold," whilst the ability to independently control the Low Frequency Saturation is an aspect I never had with tape. The FATSO is the first reason I invested in the UAD system - now I have expanded my selection of modelled devices it is clear it shall not to be the last.
Thank you Universal Audio for a beautiful tool in shaping my precious audio.
Color, saturation, fatness, more color... This is what my drums had missed until I put FATSO on my bus channel. There is no other such quick and quality possibilities in the digital world today to get this warm analog sound.
I've lived with this plugin for about 2 years now, and I well remember the buzz it generated before its release. Since I was unfamiliar with the hardware, my expectations were not quite as high as some others. The name says "tape simulator", but to my ears it sounds much more like a high-quality analog channel, and when I tried it out I flashed back to when I first went all-digital... "Yay! More control! Less noise! But why is it so darned hard to make tracks sit right??" With the Fatso (and this will sound like marketing hype) it is simply easier to MIX. There I said it. Tracks blend better, yet retain their own space. The 1176-style compressor is awesome. The Tranny rocks, and the Warmth control has saved many harsh tracks. With the release of the Studer, some of the things I use the Fatso for have been superceded, but using them together makes for interesting effects. It's a bit heavy on DSP, that's my only quibble.
An excellent plug in that can really thicken and warm the sounds of drums. A little heavy on resources but obviously that's what it takes to emulate the hardware so well. A fair bit cheaper than the real thing with the added bonus of more control!
Cavan McCann Perth Australia
It makes the sound fat specifically. I use it mainly for bass fatten wailing loudly. Not only the base of geureotdago fattened. Overall flesh cry grimace and a particular instrument is not fatten. The important thing is to buy a lot of measures are taken to be steamed is a point of attraction. You also make a fat-free body weight measures so. It feels dry, the man Hulk.
Measures are happy with.
Good quality on compressor Fatso.
the parameters are just that precision value, for dynmaics on sound.
for drum's kick it's ideal because we have an little distortion natural with this compressor.
very good for the brute attacks, these configuration are awesome for just as you want.
I have to admit, I am totally in love with UAD, certain plugins become instant essentials after you try them, for example I wouldn't write a bass line without using FATSO now. You can drive things into it so hard, and it seems to just continue to keep rumbling in the low end.
Got an 808 kick with a long decay? Smash it through FATSO for an instant dirty bass sound that makes you pull "that" face.
As good as the hardware unit with more flexibility! Used on every session!!!
Love this thing. Works well on so many things in so many ways.